WHY TO VISIT TEMPLES ? There are thousands of temples all over India in different size, shape and locations but not all of them are considered to be built the Vedic way . Generally, a temple should be located at a place where earth’s magnetic wave path passes through densely . It can be in the outskirts of a town/village or city, or in middle of the dwelling place, or on a hilltop . The essence of visiting a temple is discussed here . Now, these temples are located strategically at a place where the positive energy is abundantly available from the magnetic and electric wave distributions of north/south pole thrust . The main idol is placed in the core center of the temple, known as “Garbhagriha” or Moolasthanam . In fact, the temple structure is built after the idol has been placed . This Moolasthanam is where earth’s magnetic waves are found to be maximum . We know that there are some copper plates, inscribed with Vedic scripts, buried beneath the Main Idol . What are they really? No, they are not God’s / priests’ flash cards when they forget the shlokas . The copper plate absorbs earth’s magnetic waves and radiates it to the surroundings .. Thus a person regularly visiting a temple and walking clockwise around the Main Idol receives the beamed magnetic waves and his body absorbs it . This is a very slow process and a regular visit will let him absorb more of this positive energy . Scientifically, it is the positive energy that we all require to have a healthy life .. Further, the Sanctum is closed on three sides . This increases the effect of all energies . The lamp that is lit radiates heat energy and also provides light inside the sanctum to the priests or poojaris performing the pooja . The ringing of the bells and the chanting of prayers takes a worshipper into trance, thus not letting his mind waver . When done in groups, this helps people forget personal problems for a while and relieve their stress . The fragrance from the flowers, the burning of camphor give out the chemical energy further aiding in a different good aura . The effect of all these energies is supplemented by the positive energy from the idol, the copper plates and utensils in the Moolasthanam /Garbagraham . Theertham, the “holy” water used during the pooja to wash the idol is not plain water cleaning the dust off an idol . It is a concoction of Cardamom, Karpura (Benzoin), zaffron / saffron, Tulsi (Holy Basil), Clove, etc . . . Washing the idol is to charge the water with the magnetic radiations thus increasing its medicinal values . Three spoons of this holy water is distributed to devotees . Again, this water is mainly a source of magneto-therapy . Besides, the clove essence protects one from tooth decay, the saffron & Tulsi leafs protects one from common cold and cough, cardamom and Pachha Karpuram (benzoin), act as mouth fresheners . It is proved that Theertham is a very good blood purifier, as it is highly energized . Hence it is given as prasadam to the devotees . This way, one can claim to remain healthy by regularly visiting the Temples . This is why our elders used to suggest us to offer prayers at the temple so that you will be cured of many ailments . They were not always superstitious . Yes, in a few cases they did go overboard when due to ignorance they hoped many serious diseases could be cured at temples by deities . When people go to a temple for the Deepaaraadhana, and when the doors open up, the positive energy gushes out onto the persons who are there . The water that is sprinkled onto the assemblages passes on the energy to all . This also explains why men are not allowed to wear shirts at a few temples and women are requested to wear more ornaments during temple visits . It is through these jewels (metal) that positive energy is absorbed by the women . Also, it is a practice to leave newly purchased jewels at an idol’s feet and then wear them with the idol’s blessings . This act is now justified after reading this article . This act of “seeking divine blessings” before using any new article, like books or pens or automobiles may have stemmed from this through mere observation . Energy lost in a day’s work is regained through a temple visit and one is refreshed slightly . The positive energy that is spread out in the entire temple and especially around where the main idol is placed, are simply absorbed by one’s body and mind . Our practices are NOT some hard & fast rules framed by 1 man and his followers or God’s words in somebody’s dreams. All the rituals, all the practices are, in reality, well researched, studied and scientifically backed thesis which form the ways of nature to lead a good healthy life . The scientific and research part of the practices are well camouflaged as “elder’s instructions” or “granny’s teaching’s” which should be obeyed as a mark of respect so as to once again, avoid stress to the mediocre brains .
Sai Ram All, This is to be Seen to be Believed !! This happened in Kalika Mata temple in Ratlam, M.P., last month. Pictures tell the true story. The Saint was telling the story of Ramayana and “Hanumanji” appeared in the form of langur !! The langur first went and sat near the singers and listened to the kirtan, held the mic of the mahantji, got blessed by him, then “blessed” the saints and then sat in front of Shri Ramji’s photo and took some of the flowers (note similar position to Shri Hanumanji in the framed picture) and left quietly. Bolo Siyavar Ramchandra ki Jai. Pavanasuta Hanuman ki Jai.
To the noblest of Sages, Patanjali, who gave Yoga for serenity of mind, grammar for purity of speech, and medicine for the health of the body, I prostrate with folded hands. To this white Patanjali, who has a human form, holding conch, disc and sword and having a thousand heads, I bow. Patanjali, undoubtedly the greatest expounder of Yoga, lived sometime between 500 and 200 B.C. The life of Patanjali is an enigma to modern historians, and almost nothing is known about this great Master who epitomizes Yoga. It is only with the help of legends that one can draw inferences about him. Undoubtedly he was a great Yoga adept and was perhaps the head of a school in which “Swadhyaya”, study of the Self, was regarded as an important aspect of spiritual practice. Indian history is presumptive of several individuals by the name of Patanjali. Three of them were well-known; the first one being the famous grammarian who wrote the commentary on Panini’s Ashtadhyayi (the Mahabhashya) and compiled the Yoga Sutras, the classical text on Raja Yoga. The Mahabhashya symbolises the perfection of the discipline in grammar. The object of grammar is to supply rules for control of current speech (laukika) for the preservation of the integrity of the Vedas and the comprehension of proper meaning. The second person named Patanjali wrote the Nidana-Sutras, considered indispensable for the study of the Vedic ritual literature; while the third was a well-known teacher of Samkhya Philosophy. The above three people, in the historian’s view, happen to come from different time periods and are considered to be different personalities. The Indian Tradition however, differs in opinion strongly and advocates that the above different treatises were done by a single person and even further, attributes various medical treatises to him. In the Indian tradition, Patanjali is said to be self-born, swayambhu. He was a highly-evolved soul who incarnated of his own will in a human form to help humanity. He is also considered an incarnation of Ananta, the source of all wisdom (Jnana) and of Shesha, the thousand-headed ruler of the serpent race, which is thought to guard the hidden treasures of the earth. Ananta depicts a couch on which God Vishnu reclines. He is the Lord of serpents and his many heads symbolize Infinity or Omnipresence. Many yogis bow to Ananta before they begin their daily yogic practice. In one of the legends, it is said that Lord Vishnu was seated on Adishesha, the Lord of serpents as His couch, watching the enchanting dance of Lord Shiva. Lord Vishnu was so totally absorbed in the dance of Lord Shiva, that His body began to vibrate to its rhythm. This vibration made Him heavier and heavier, causing Adishesha to feel so uncomfortable that he was gasping for breath and was on the point of collapse. The moment the dance came to an end, Lord Vishnu’s body became light again. Adishesha was amazed and asked his master the cause of these stupendous changes. The Lord explained that the grace, beauty, majesty and grandeur of Lord Shiva’s dance had created corresponding vibrations in His own body, making it heavy. Marvelling at this, Adishesha professed a desire to learn dance so as to exalt his Lord. Vishnu then became thoughtful, and predicted that soon Lord Shiva would grace Adishesha to write a commentary on grammar, and that he would then also be able to devote himself to perfection in the art of dance. Adishesha was overjoyed by these words and looked forward to the descent of Lord Shiva’s grace. Adishesha then began to meditate to ascertain who would be his mother on earth. In meditation, he had the vision of a yogini by the name of Gonika who was praying for a worthy son to whom she could impart her knowledge and wisdom. He at once realized that she would be a worthy mother for him, and awaited an auspicious moment to become her son. Gonika, thinking that her earthly life was approaching its end, and that her desire of finding a worthy son would remain unfulfilled; now, as a last resort looked to the Sun God, the living witness of God on earth and prayed to Him to fulfil her desire. She took a handful of water as a final oblation to Him, closed her eyes and meditated on the Sun. As she was about to offer the water, she opened her eyes and looked at her palms. To her surprise, she saw a tiny snake moving in her palms, who soon took on a human form. This tiny male human being prostrated to Gonika and asked her to accept him as her son. This she did and named him Patanjali because her hands had been in the prayerful gesture (anjali) and he had fallen (pat) from heaven.* Another incidence is said to have happened in Chidambaram (also known as Thillai ) located about a hundred miles from Madras. Chidambaram is considered to be one of the holiest temples in India. In this temple, Lord Nataraja is present in his cosmic-dancing form. The story goes that once in Darukavanam, Shiva wished to teach a lesson to the Rishis who were proud of their learning. Shiva took the form of a mendicant with a begging bowl in hand, accompanied by Vishnu disguised as Mohini. The rishipatnis (wives of the Rishis) were attracted by the sight of this beautiful pair. The Rishis grew angry and tried to destroy the pair. They performed a sacrificial fire and raised a tiger from the fire, which sprang at Shiva. Shiva pealed off the skin of the tiger and wrapped it round his waist. Then again the Rishis sent a poisonous serpent and Shiva tied it round his neck. Then the Rishis sent against Shiva an Apasmara Purusha, Muyalaka, whom Lord Shiva crushed by pressing him to the ground with his foot. At this, the Rishis confessed defeat and Shiva started to dance before all the Gods and Rishis. Lord Adishesha heard the description of Shiva’s dance at Darukavanam from Vishnu and requested Vishnu to allow him to witness the dance himself. Vishnu agreed to this. Adishesha performed penance and prayed to Shiva to allow him to see the dance. Being pleased with his penance, Shiva appeared to him and promised that he would dance at Tillai (Chidambaram). Accordingly, Adishesha was born as a human being, as Patanjali, and went to the forest of Tillai. At this time a certain sage, Vyaghrapada, also lived in this forest. Vyaghrapada was the son of Madhyandina Rishi who lived on the banks of the Ganga. He came to the South under the directions of his father and started praying to the Swayambhulinga under a banyan tree near a tank in this Tillai forest. He used to collect flowers for puja and he prayed for the boon of getting tiger’s feet and claws, so that he could easily climb up the trees and pluck plenty of flowers. He also prayed for the eyes of bees, so that he could collect the flowers before any bee could taste the honey in them. His prayer for these two blessings was granted, and since he had the feet of a tiger, he was called Vyaghrapada. Each constructed his own hermitage, Patanjali at Ananteeswaram and Vyaghrapada at Tirupuleeswaram in Chidambaram. They started worshipping Shiva in the form of the Swayambhulinga in Tillai forest. Days passed and when the time came for Shiva to give them Darshan, the guardian Goddess of the place, Kalika Devi, interfered and did not allow Shiva to give His Darshan. Shortly afterwards, Shiva and Devi agreed that they should participate in a dance contest and that the winner should have undisputed possession of Tillai. So the dance started. At one moment during the dance, the Lord’s earrings fell down, but the Lord took them up from the floor in such a way that nobody could notice the loss and the recovery. This dance is called Urdhva Tandavam in which Shiva defeated Kalika Devi. Now Nataraja performed the Ananda Tandavam, i.e. the Dance of Bliss, in the presence of Shivakamasundari and all the Gods and Rishis, and at the same time fulfilled the wish of the two devotees, Patanjali and Vyaghrapada, by allowing them to witness it and thus satisfying them. Another story tells that once upon a time Nandi, Shiva’s carrier, would not allow Patanjali Muni to have Darshan of Lord Shiva (Nataraja of Chidambaram). In order to reach Lord Shiva, Patanjali, with his mastery over grammatical forms, spontaneously composed a prayer in praise of the Lord without using any extended (Dirgha) syllable, (without Charana and Shringa) i.e. leg and horn, to tease Nandi. Shiva was quickly pleased, gave Darshan to the devotee and danced to the lilting tune of this song. These three short legends throw some light upon Patanjali and his greatness. Today unfortunately even Patanjali’s lineage does not appear to exist anymore. Patanjali’s life is obscure, with precise details about his place of birth, life and personality missing; this uncertainty however does not detract the great merit of the Patanjali Yoga-Sutras. It is the most condensed traditional outline of the yogic path and should be studied in depth by all serious students of Yoga. Yogacharya B.K.S Iyengar, who is definitely one of the greatest exponents of Patanjali Yoga Sutras, is responsible for shedding much light on the greatness of Patanjali and his writings. It is his great vision that brought to the forefront, the science of Patanjali Yoga Sutras and its benefit to our daily lives. atanjali, undoubtedly the greatest expounder of Yoga, lived sometime between 500 and 200 B.C. The life of Patanjali is an enigma to modern historians, and almost nothing is known about this great Master who epitomizes Yoga. It is only with the help of legends that one can draw inferences about him. Undoubtedly he was a great Yoga adept and was perhaps the head of a school in which “Swadhyaya”, study of the Self, was regarded as an important aspect of spiritual practice. Indian history is presumptive of several individuals by the name of Patanjali. Three of them were well-known; the first one being the famous grammarian who wrote the commentary on Panini’s Ashtadhyayi (the Mahabhashya) and compiled the Yoga Sutras, the classical text on Raja Yoga. The Mahabhashya symbolises the perfection of the discipline in grammar. The object of grammar is to supply rules for control of current speech (laukika) for the preservation of the integrity of the Vedas and the comprehension of proper meaning. The second person named Patanjali wrote the Nidana-Sutras, considered indispensable for the study of the Vedic ritual literature; while the third was a well-known teacher of Samkhya Philosophy. The above three people, in the historian’s view, happen to come from different time periods and are considered to be different personalities. The Indian Tradition however, differs in opinion strongly and advocates that the above different treatises were done by a single person and even further, attributes various medical treatises to him. In the Indian tradition, Patanjali is said to be self-born, swayambhu. He was a highly-evolved soul who incarnated of his own will in a human form to help humanity. He is also considered an incarnation of Ananta, the source of all wisdom (Jnana) and of Shesha, the thousand-headed ruler of the serpent race, which is thought to guard the hidden treasures of the earth. Ananta depicts a couch on which God Vishnu reclines. He is the Lord of serpents and his many heads symbolize Infinity or Omnipresence. Many yogis bow to Ananta before they begin their daily yogic practice. In one of the legends, it is said that Lord Vishnu was seated on Adishesha, the Lord of serpents as His couch, watching the enchanting dance of Lord Shiva. Lord Vishnu was so totally absorbed in the dance of Lord Shiva, that His body began to vibrate to its rhythm. This vibration made Him heavier and heavier, causing Adishesha to feel so uncomfortable that he was gasping for breath and was on the point of collapse. The moment the dance came to an end, Lord Vishnu’s body became light again. Adishesha was amazed and asked his master the cause of these stupendous changes. The Lord explained that the grace, beauty, majesty and grandeur of Lord Shiva’s dance had created corresponding vibrations in His own body, making it heavy. Marvelling at this, Adishesha professed a desire to learn dance so as to exalt his Lord. Vishnu then became thoughtful, and predicted that soon Lord Shiva would grace Adishesha to write a commentary on grammar, and that he would then also be able to devote himself to perfection in the art of dance. Adishesha was overjoyed by these words and looked forward to the descent of Lord Shiva’s grace. Adishesha then began to meditate to ascertain who would be his mother on earth. In meditation, he had the vision of a yogini by the name of Gonika who was praying for a worthy son to whom she could impart her knowledge and wisdom. He at once realized that she would be a worthy mother for him, and awaited an auspicious moment to become her son. Gonika, thinking that her earthly life was approaching its end, and that her desire of finding a worthy son would remain unfulfilled; now, as a last resort looked to the Sun God, the living witness of God on earth and prayed to Him to fulfil her desire. She took a handful of water as a final oblation to Him, closed her eyes and meditated on the Sun. As she was about to offer the water, she opened her eyes and looked at her palms. To her surprise, she saw a tiny snake moving in her palms, who soon took on a human form. This tiny male human being prostrated to Gonika and asked her to accept him as her son. This she did and named him Patanjali because her hands had been in the prayerful gesture (anjali) and he had fallen (pat) from heaven.* Another incidence is said to have happened in Chidambaram (also known as Thillai ) located about a hundred miles from Madras. Chidambaram is considered to be one of the holiest temples in India. In this temple, Lord Nataraja is present in his cosmic-dancing form. The story goes that once in Darukavanam, Shiva wished to teach a lesson to the Rishis who were proud of their learning. Shiva took the form of a mendicant with a begging bowl in hand, accompanied by Vishnu disguised as Mohini. The rishipatnis (wives of the Rishis) were attracted by the sight of this beautiful pair. The Rishis grew angry and tried to destroy the pair. They performed a sacrificial fire and raised a tiger from the fire, which sprang at Shiva. Shiva pealed off the skin of the tiger and wrapped it round his waist. Then again the Rishis sent a poisonous serpent and Shiva tied it round his neck. Then the Rishis sent against Shiva an Apasmara Purusha, Muyalaka, whom Lord Shiva crushed by pressing him to the ground with his foot. At this, the Rishis confessed defeat and Shiva started to dance before all the Gods and Rishis. Lord Adishesha heard the description of Shiva’s dance at Darukavanam from Vishnu and requested Vishnu to allow him to witness the dance himself. Vishnu agreed to this. Adishesha performed penance and prayed to Shiva to allow him to see the dance. Being pleased with his penance, Shiva appeared to him and promised that he would dance at Tillai (Chidambaram). Accordingly, Adishesha was born as a human being, as Patanjali, and went to the forest of Tillai. At this time a certain sage, Vyaghrapada, also lived in this forest. Vyaghrapada was the son of Madhyandina Rishi who lived on the banks of the Ganga. He came to the South under the directions of his father and started praying to the Swayambhulinga under a banyan tree near a tank in this Tillai forest. He used to collect flowers for puja and he prayed for the boon of getting tiger’s feet and claws, so that he could easily climb up the trees and pluck plenty of flowers. He also prayed for the eyes of bees, so that he could collect the flowers before any bee could taste the honey in them. His prayer for these two blessings was granted, and since he had the feet of a tiger, he was called Vyaghrapada. Each constructed his own hermitage, Patanjali at Ananteeswaram and Vyaghrapada at Tirupuleeswaram in Chidambaram. They started worshipping Shiva in the form of the Swayambhulinga in Tillai forest. Days passed and when the time came for Shiva to give them Darshan, the guardian Goddess of the place, Kalika Devi, interfered and did not allow Shiva to give His Darshan. Shortly afterwards, Shiva and Devi agreed that they should participate in a dance contest and that the winner should have undisputed possession of Tillai. So the dance started. At one moment during the dance, the Lord’s earrings fell down, but the Lord took them up from the floor in such a way that nobody could notice the loss and the recovery. This dance is called Urdhva Tandavam in which Shiva defeated Kalika Devi. Now Nataraja performed the Ananda Tandavam, i.e. the Dance of Bliss, in the presence of Shivakamasundari and all the Gods and Rishis, and at the same time fulfilled the wish of the two devotees, Patanjali and Vyaghrapada, by allowing them to witness it and thus satisfying them. Another story tells that once upon a time Nandi, Shiva’s carrier, would not allow Patanjali Muni to have Darshan of Lord Shiva (Nataraja of Chidambaram). In order to reach Lord Shiva, Patanjali, with his mastery over grammatical forms, spontaneously composed a prayer in praise of the Lord without using any extended (Dirgha) syllable, (without Charana and Shringa) i.e. leg and horn, to tease Nandi. Shiva was quickly pleased, gave Darshan to the devotee and danced to the lilting tune of this song. These three short legends throw some light upon Patanjali and his greatness. Today unfortunately even Patanjali’s lineage does not appear to exist anymore. Patanjali’s life is obscure, with precise details about his place of birth, life and personality missing; this uncertainty however does not detract the great merit of the Patanjali Yoga-Sutras. It is the most condensed traditional outline of the yogic path and should be studied in depth by all serious students of Yoga. Yogacharya B.K.S Iyengar, who is definitely one of the greatest exponents of Patanjali Yoga Sutras, is responsible for shedding much light on the greatness of Patanjali and his writings. It is his great vision that brought to the forefront, the science of Patanjali Yoga Sutras and its benefit to our daily lives.
Yopam puspam veda Puspavan prajavan pasuvan bhavati Candramava Apam puspam Puspavan, Prajavan pasuman bhavati Ya Evam Veda Yopa mayatanam Veda Ayatanam bhavati. He who understands the flowers of water, He becomes the possessor of flowers, children and cattle. Moon is the flower of the water, He who understands this fact, He becomes the possessor of flowers, children and cattle. He who knows the source of water, Becomes established in himself, Agnirva Apamayatanam Ayatanavan Bhavati Yo agnerayatanam Veda Ayatanavan bhavati Apovagner ayatanam Ayatanavan bhavati Ya Evam Veda Yopa mayatanam Veda Ayatanavan bhavati Fire is the source of water, He who knows this, Becomes established in himself, Water is the source of fire, He who knows this, Becomes established in himself. He who knows the source of water, Becomes established in himself, Vayurva Apamaya tanam Ayatanavan bhavati. Yova Yorayatanam Veda Ayatanavan bhavati| Apovai va yorayatanam Ayatanavan bhavati. Ya Evam veda Yopamayatanam Veda Ayatanavan Bhavati Air is the source of water, He who knows this, Becomes established in himself, Water is the source of air, He who knows this, Becomes established in himself. He who knows the source of water, Becomes established in himself, Asowvai tapanna pamayatanam Ayatanavan bhavati Yo musya tapata Ayatanan Veda Ayatanavan bhavati Apova Amusyatapata Ayatanam Ayatanavan bhavati Ya Evam Veda Yopa mayatanam Veda Ayatanavan bhavati Scorching sun is the source of water, He who knows this, Becomes established in himself, Water is the source of scorching sun, He who knows this, Becomes established in himself. He who knows the source of water, Becomes established in himself, Candrama Vama pamayatnam Ayatanavan bhavati. Yascandra masa Ayatanam Veda Ayatanavan bhavati Apovai Candra masa Ayatanam Ayatanavan bhavati Ya Evam Veda Yo pamayatanam veda Ayatanavan bhavati Moon is the source of water, He who knows this, Becomes established in himself, Water is the source of moon, He who knows this, Becomes established in himself. He who knows the source of water, Becomes established in himself, Nakshtrani va Apamayatanam Ayatanavan bhavati Yo Nakshtrana mayatanam Veda Ayatanavan bhavati Apovai Nakshtrana mayatanam Ayatanavan bhavati Ye evam Veda Yopamaya tanam Veda Ayatanavan bhavati Stars are the source of water, He who knows this, Becomes established in himself, Water is the source of stars, He who knows this, Becomes established in himself. He who knows the source of water, Becomes established in himself, Parjanyova apamayatanam Ayatanavan bhavati Yah parjanyasya syayatinam Veda Ayatanavan bhavati Apovai parjanya Syayatanam Ayatanavan bhavati Ye Evam veda Yopa maya tanam Veda Ayatanavan bhavati Clouds are the source of water, He who knows this, Becomes established in himself, Water is the source of clouds, He who knows this, Becomes established in himself. He who knows the source of water, Becomes established in himself, Samvastaro Va Apamayatanam Ayatavan bhavati Yassavatsa rasyaya tanam Veda Ayatavan bhavati. Apovai samvasara ayatanam Ayatanavan bhavati Ya Evam veda Yopsu Navam pratistitam veda Pratyeva tistati Rainy season is the source of water, He who knows this, Becomes established in himself, Water is the source of rainy season, He who knows this, Becomes established in himself. He who knows that there is a raft is available, Becomes established in that raft. Please visit the following site to see number of prayers with the meanings of slokas and prayers so that you can chant the same with much more reverance and enjoy the same,http://www.hindupedia.com/the site located by Bhuvani’s friend Anitha for the benifit of all of us.
The Gardens are always blooming in Haidakhan especially in the monsoon season, you will also see lots of creatures you don’t usually see the rest of the year, of course you will always see Bee’s…I won’t frighten you about the other animals….yet! … Haidakhan Flowers Bee India Babaji Ashram
