Saint Thyagaraja was an extraordinary Carnatic Music composer and a devotee of Sri Rama of highest order. His contruibutions to Carnatic Music, the classical music of South India are immense, so much so, that he was considered as one of the three personalities (known as thr trinity of Carnatic Music) responsible for the growth and spread of Carnatic Music. He made unique contributions to the cultural growth of South India and even today his compositions (kritis) are very popular among the students and lovers of South Indian classical music. He had composed several Kritis in various raghas. Saint Thyagaraja was born in Tiruvarur in the Thanjavur District on 27th Chaitra, Srvajit, a Sukla Saptami corresponding to 4th May, 1767 according to one tradition and 1759 according to another tradition and named after the presiding deity (Lord Thyagaraja) of that temple town. The name THYAGA-RAJA means the ‘Prince of Renunciation’. Thyagarajar was born as the third son of Ramabrahmam whose family profession was story telling (Katha Kalashepem) and a distinguished exponent of Ramayana who was patronised by the King of Thanjavur. His mother was Seethamma, the daughter of the asthana vidwan Veena Kalahastayya. The bulwark of a great culture, the Vijayanagara Empire fell at the end of the 16th Century. The invasion from the North brought in its wake. Quite a few Hindu families had to flee to southern areas which were still peaceful. Many found shelter under the benign rule of the Nayakas and the Maratha Kings of Tamilnadu. Particularly, a number of Telugu families went to South and formed nuclei of art and culture and Thyagaraja’s ancestors belonged to one such stock, as he describes himself as descending from a family of immigrant Vaidiga Brahmins of the Muriginadu sect belonging to Kakarla family (Kakarla is a village in the Kurnool District of Andhra). They moved to Tamil Nadu Country during the Vijayanagar period in early 1600’s. Very soon after the birth of the saint, the family shifted to Thiruvaiyaru. The king of Tanjavur had gifted a house to him in this village and here Thyagaraja not only spent the major part of his life but also attained samadhi. Saint Thyagarajar completed the study of Sanskrit and Telugu and mastered Valmiki Ramayanam and other religious literatures. His mother had a collection of the Purandaradasa and taught them to her son. He was thus introduced to the Sangita Pitamaha at a very early age and worishipped him as his adiguru. His precocity in music could not escape the notice of his father who put him under the tutelage of the court musician Sonti Venkataramanayya at the age of 16. Thyagaraja absorbed all that the guru could teach him within a year. After that he was on his own, perfecting his technique by immersing himself in the study of musicology from various treatises. Since from the age of 17, he started singing small kritis. He also showed a flair for composing music and while in his teens composed his first song Namo Namo Raghavaya in Desikatodi and inscribed it on the walls of the house. He studied NARADIAM a treatise on music which he got from his grand father, Giri Raja Kavi. In 1784, when he was 18 years, he married Parvathi. In 1785 at the royal court of Pudukottai Ramachandira Thontaiman, Thyagaraja had sung in Jothiswararupeni raga. In 1787, when Thyagaraja was 21 his father Ramabrahmam passed away. In 1787 at his age of 21, he got spiritual initiation into “Rama Shadakshari” mantra from a saint called Ramakrishnananda. In 1789, when he was 23 years old, his wife, Parvathi passed away. He married her sister Kamala in 1790. He had a daughter called Seethalakshmi. In 1802, his guru, Sonti Venkataramanayya arranged for his arangetram where the vidwands of the palace were assembled. Thyagaraja sang his own composition, Dorakuna ituvanti in Bilahari. The song starts by asking, ‘It is possible to get darshan of Hari?’. At the end of the recital his guru, overwhelmed with emotion at his shishya’s performance. Thayagara’s fame as a composer of music was spreading fast. On hearing about him, King Sarabhoji II invited Thyagaraja to the palace to sing before him and also offered him the position of samasthana vidwan at the durbar. But Thyagaraja, who was very clear about his mission in life, refused and declined the offer. Thyagaraja’s reputation as an outstanding musician and composer was due to his desire to compose only to serve Rama and not any human being. In the presence of leading musicians he was asked to sing at Thiruvaiyaru and Thanjavur on two occasions. His mudra is ‘Thyagaraja’. In 1804 at his age of 37, his mother, Seethamma passed way. Thyagaraja was constantly repeating the Rama Shadakshari mantra over 21 years and he completed in 1808 chanting 96 crores of Rama Nama. In 1810, Thyagaraja’s daughter seethalakshmi was given in marriage to Kuppuswami. Thyagaraja’s disciple Walajapettai Vekataramana Bhaagavatar brought a painting of Kothandarama, walking all the way from Walajapettai to Thiruvaiyaru and offered it to his guru. Seethalakshmi and Kuppuswami begot a boy who was named Thyagaraja who died issueless; thus came to an end the direct lineage of the composer. In 1827, at the age 60, he celebrated Sastiaptha Purthi. In 1839 during the month of April, he visited Tirupati, but when he went to the temple, it was closed. In sadness, he sang “Teratiyagaraadaa” and the temple officials gathered round in admiration when they saw the door opening by itself and the screen falling aside. He sang “VenkaTEsha ninu sEvimpa” in his happiness at seeing the Lord. While returning to Thiruvaiyaru, he visited Chennai-Kovur, where he composed Kovur Pancharatna during his stay with Kovur Sundara Mudaliar. Later he composed Thiruvetriyur Pancharatna while he was staying with Veena Kuppier. At the invitation of his disciple LaalguDi Raamayya, he composed the Laalgudi Pancharatna. He also composed the Shreeranga Pancharatna in praise of Ranganaata of Shreerangam and 5 kritis in praise of Sage Naarada. On completion of this spiritual tour he reached Thiruvaiyaru at the end of October, 1839. In 1841, Gopalakrishna Bharathi visited Thyagaraja at his residence in Thiruvaiyaru. The Ghana Pancharatina Kriti, ‘Endaro mahanubhavulu..’ was composed when Chatkalam Govindamaarar visited him in 1843. It was said that Lord Rama appeared before him on 27-12-1846 in his dream and offered him Motsa after 10 days. Next day he revealed this to his disciples and relatives during ‘Egadesi Bhajanai’. Accordingly everyone believed that 6-1-1847 would be the day when he was excepted to become Mukdhi. The Saint took to Sanyasa on 5-1-1847 when he felt the premonition of his approaching end to his mortal life and called himself Nadha Premmananther. He attained Siddhi on the Pushya Bahula Panchami day in the year Parabhava 1847 A.D. (6-1-1847). His mortal remains were interred at a spot on the left bank of the river Cauvery at Thiruvaiyaru with the honor and religious rites due to a Sanyasi. A brindavan consisting of a conventional brick structure and Thulasi plant was put up. Saint Thyagaraja is stated to have composed several Kritis. Two plays of him of Yakshagana type are available now. He had employed over 200 raghas. The Pancharatna Kritis are the most representative of Saint Thyagaraja’s art as a composer. The Divyanama and Utsava Samprathaya Kritis composed by him are melodies. Though an ardent Ramabakthi he was, Saint Thyagaraja had also sung in praise of other deities as well. To him music was Nadopasana. The vanity of wealth or the pomp of power never tempted him.
Chitragupta The Accountant Chitra Pournami, or Chitirai Purnima, is a unique Tamil festival observed on the full moon day (Poornima) in the month of Chitirai (April – May). In 2010, the date of Chitirai Pournami is April 28. The day is dedicated to Chitragupta, the official keeper of deeds in the abode of Yama. It is believed that bathing in holy rivers and temple ponds on the day will wash away the sins committed. In Hinduism, Chitragupta, the first assistant of Lord Yama, is the one who keeps record of the good and bad deeds of human beings on earth. After death, when one reaches the abode of yama, it is he who tallies the good and bad deeds and declares it to Yama. Therefore, the day is dedicated to Chitragupta and devotees pray to him to forgive their sins. Another important legend associated with Chitra Poornima, involves Lord Indra, the king of Gods, and his Guru Brihaspati. Once Indra and Brihaspati had an altercation, and the Guru stopped advising his pupil. Without the sound counsel of his Guru, Indra committed numerous sins. Finally, when Brihaspati relented and took up his duty. He then advised Indra to undertake a pilgrimage to the earth to alleviate the burden of sins committed by him in his absence. One day during his pilgrimage, Indra had a sudden realization that he has been redeemed from his sins. He looked around and noticed a Shivling under a Kadamba tree. He was sure that it was Lord Shiva who had helped him in alleviating his sins. He decided to worship the Lingam and to his surprise he found golden lotus in a nearby pond. He prayed to Shiva by offering the golden lotus. This happened on a Chitra Pournami day and the place was Madurai in Tamil Nadu. In remembrance of this event, in the Madurai Meenakshi temple, a Devendra Puja is observed on Chitra Poornima. Elaborate pujas are done on Chitirai Pournami in temples and a special rice offering is made to Chitragupta.
What is the energy shared during Shaktipat? What is the nature of Grace? The descent of Grace in Shaktipat is a coming together, a oneness, in stillness. It might be said that it is a reminder to the pure consciousness which is within the seeker of it's true nature providing a sort of reference point [...]
Shree Maa gives us the message that we can learn from everybody. When Maa was a little four-year old child, She was cleaning a room and upon finishing, she threw the broom to a corner. Then She heard the voice of Sri Ramakrishna say, “Hega, you threw that broom? See how beautifully you cleaned the room with that very broom and now you threw it? You must respect your tools as well as your actions. Cleanliness is next to Godliness?” The four-year-old Little Mother bowed down to the broom. From then on She would bow down to it everyday. Maa said that Thakur Ramakrishna told Her, “If you respect each and every one of your actions, you will get me.” Respect is an important part of learning. To illustrate this, Maa is sharing these stories with us. These stories teach us how to learn and how to become divine. We can learn every moment from every thing because Mother Nature is teaching us all the time. Please listen and enjoy the stories! Now, Mother will tell us the story of Avadhut Dattatreya. Dattatreya was born divine and considered every moment as an opportunity to learn. He learned from everybody and everything. He considered all of Nature to be his Guru. How did He learn this way and what did He learn? Read on! First Story One day Avadhut was crossing a big field. He saw a huge wedding procession walking across the field with much fanfare accompanied by many musical instruments. There were pipes and drums and lots of singing. The marriage party was accompanying the groom. At the same time in that field, Avadhut saw a hunter. The hunter was looking with one-pointed mind at his prey. His eyes were completely focused on the target and he was oblivious to the marriage party and the sounds of their merry making. Avadhut went to the hunter and bowed down to him. He said, “You are my Guru. When I meditate on God, my goal will be to have the same focus as you have just demonstrated.” Second Story One time Avadhut was walking by a river when he saw a fisherman. He went near the fisherman and asked politely, “Oh Brother, what path should I take to go to the cityâ€? The fisherman was looking inside the water and did not pay any attention to the question. The sounds did not even enter in to his ears. At that moment, the fish was just touching the bait. When the fish was caught, the fisherman called Avadhut, “Hey, what were you saying to me?” Avadhut came back to him and bowed down. He said, “You are my Guru. When I meditate on my Ishta Deva (beloved form of God), until the meditation is not complete, until I reach the goal, my mind will not wander. Please give me blessings to be like you in this way.” Third Story One day a hawk caught a fish and was flying with the fish in his mouth. Behind came hundreds and hundreds of crows. They all flew behind him and chased the hawk wherever he flew. They wanted the fish and went wherever the hawk went. They were disturbing the hawk greatly. The hawk got mad. He threw the fish. At that time, another hawk was flying and caught that fish. The crows left the first hawk and started flying behind the other hawk. The first hawk was so relieved and relaxed! Without a care, he sat on the branch of a tree and watched the plight of the other hawk. The Avadhut bowed down to the hawk and said, “If you can leave all desires and attachments, then alone you can get peace. When I sit to meditate I want to leave all my desires and attachments, just as you have shown. ” He prayed to the hawk and said, “You are my Guru. Thank you for your teaching.” Fourth Story There was a little pond in which a crane was walking with concentration and moving slowly to catch a fish. Behind the crane was a hunter who was focusing on the crane with the intent of killing it. The crane had no idea as to who was behind. The crane was completely focused on catching the fish. The Avadhut bowed down to the crane and told him, “You are my Guru. When I will do meditation, I will never look behind, I will always be focused on the present and not on the past or the future. Please give me this blessing. Thank you for your teaching.” From these Avadhut stories we see a beautiful example of how we can learn from all of Nature — every moment, every aspect of creation can be our Guru and we can learn. Avadhut gave respect with each action. From this we learn that if we, too, are respectful in each and every one of our actions, the entire Universe will become our family, and we can learn and share with all of creation.
Swami G reads from a passage from one of her books – This is a Guiding reminder of how to navigate ones spiritual path. A good affirmation and mindset to carry through. Please comment on clip. This Guru may be contacted through the new Yahoo group Swami-G … Kundalini Meditation Guru Enlightenment hindu shakti shaktipat [...]
Paramahamsa Swami Ashananda always try to preserve, the Tradition and Acient Vedic Rite. Here are few impresions around Rishikesh, Sivananda Ashram in Sivananda Nagar, Trascendental Meditation of Maharishi Mahesh Yogi, Swami Omkarananda Ashram, Yoga Niketan and anothers importants Ashrams asociates, in Himalayas, India. Song: Shiva Shiva Shiva Shambho, from the album: Bhajans for Eternal Bliss, [...]
Swami G describes her journey, a quick synopsis of a 30 + year road – from opening to Realization. A most eclectic path. Please comment on clip. This Guru may be contacted through the new Yahoo group Swami-G … kundalini Meditation Tantra Guru Enlightenment satsang ashram yoga pranayam swami Hatha hindu shakti shaktipat kali
In this excerpt from a workshop given in September 1989 entitled “Maps of the Mind”, Swami Radha explores the power we have and how we need to balance the positive and negative in ourselves. … Swami Sivananda Radha Yasodhara Ashram yoga spirit puja guru temple light balance mind
